Alternating between reading and editing, I have now completed Revision Eight of my fiction manuscript, Box of Dreams. It is not really a unique part of my process to continuously rewrite sections. Ernest Hemingway rewrote sections of his stories many times before allowing anyone to read them. I know first hand the embarrassment of presenting a piece before it is time. A writer should accept the editing stage as an opportunity to work through every angle, sometimes reading stories hundreds of times before declaring it suitable for public scrutiny.
As a former project manager, I see parallels to the planning and execution stages. Creating architectural drawings is perfectly analogous to the process of creating an outline for a story. This is the stage in which principles are applied to ensure the pieces will go together to produce something aesthetically pleasing, yet functional. To me, writing the first draft is like erecting the steel framework for a building, it defines the outer parameters but the work is far from over. Bar joists and decking are laid between the structural members and concrete floors are poured before ducting and metal stud walls are installed. The list of details continues until the project is complete.
Similarly, creating a story begins with nothing more than a few ideas. As the ideas are further developed, changes are necessary to maintain consistency. The basics of writing help to establish a story that is hopefully plausible and intriguing. Yet, the writer continues to define each part of a story in sufficient detail to satisfy the reader. It continues until the story jumps from the page into the mind of the reader without drawing attention to the fundamental parts. It is like looking at a beautiful building without regard for the steel that is hidden beneath. We can hopefully appreciate it as a whole when it is done.
I have reached a point of saturation in which I can no longer see potential issues. This is not new. I have experienced it seven times previously. Each edit requires time to relax, separating myself from the work so that I may look at it with a fresh perspective, perhaps weeks from now. However, this time, I will seek the advice of an editor to help me understand how the story is perceived. It is also an opportunity to improve on style.
Luckily, I have short stories that must be edited before the submission deadline of April 15th. It will keep me busy for a few weeks and then I will go back and make any necessary changes to my manuscript before approaching agents and publishers with the best that I have to offer and hopefully move to the next phase, marketing, with a whole new list of issues with which to contend.
Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Tuesday, March 1, 2011
Thursday, February 17, 2011
On submissions and revisions
I have officially submitted the additional chapters for the non-fiction book proposal. Waiting is not something that I do particularly well, so I look for other projects to keep my mind busy. Luckily, I am ready to work on Revision 7 of my fiction manuscript.
Writers vary widely in their approach to writing a novel. Some spend years outlining a story while others allow the story to unfold as they are writing. My process is really a little of both. That is, I allow myself a great amount of freedom during the conceptual stages, letting the story develop along with the characters. Then, I create a general outline that helps me to establish a consistent story arc. But, I also allow myself sufficient freedom during the writing process.
The result is a draft story that has a beginning, a middle and an ending, allowing me to see the potential impact of the story and where it needs work. During this initial process, I find it necessary to write some descriptions where I would much rather have dialog or action. It is a reminder to rewrite sections that show rather than tell. In the short term, I am able to continue the flow of the story without interruption, knowing that I must revise the draft.
Each revision is an attempt to insert needed elements, but it is a slow process. The balance between getting the story out versus outlining every detail is a personal preference. I am comfortable with my approach, but it is tailored to my personality. Likewise, other writers must find what works best for them.
When does this process end? It ends when I have done all that I can do to move a story forward. From that point, it either goes to a professional editor or it is submitted to agents depending on my confidence level. The threshold for acceptance is very high in today's market, so a submission should catch and hold the attention of a publisher.
Writers vary widely in their approach to writing a novel. Some spend years outlining a story while others allow the story to unfold as they are writing. My process is really a little of both. That is, I allow myself a great amount of freedom during the conceptual stages, letting the story develop along with the characters. Then, I create a general outline that helps me to establish a consistent story arc. But, I also allow myself sufficient freedom during the writing process.
The result is a draft story that has a beginning, a middle and an ending, allowing me to see the potential impact of the story and where it needs work. During this initial process, I find it necessary to write some descriptions where I would much rather have dialog or action. It is a reminder to rewrite sections that show rather than tell. In the short term, I am able to continue the flow of the story without interruption, knowing that I must revise the draft.
Each revision is an attempt to insert needed elements, but it is a slow process. The balance between getting the story out versus outlining every detail is a personal preference. I am comfortable with my approach, but it is tailored to my personality. Likewise, other writers must find what works best for them.
When does this process end? It ends when I have done all that I can do to move a story forward. From that point, it either goes to a professional editor or it is submitted to agents depending on my confidence level. The threshold for acceptance is very high in today's market, so a submission should catch and hold the attention of a publisher.
Thursday, February 10, 2011
A Peculiar Blindness
I thought things were going very well, at least, until now.
I attended my writer's group last night with a newly written introduction for my proposed book. I thought the introduction would help the reader understand both my purpose and my thought process. Easy stuff, right? Wrong! I simply failed to see the glaring issues until it was too late.
The comments from my group were justifiably critical regarding style, voice and redundancy. While it may come as a surprise to some, writer's must seek unbiased feedback for their work, or risk falling under some hypnotic trance.
Oddly, I realized some of the issues at the last minute. I usually look over my work one last time while the group reads. Holy Cow! I began to see the redundancies. I could actually "hear" the deadpan voice of that teacher on The Wonder Years, except he was blathering on about writing and engineering. No, that was MY voice! I was the one delivering lifeless drivel, not content to say it once, but to repeat it over and over.
I had read the piece several times. I had a marathon day yesterday editing four chapters that I had hoped to submit this week. I even edited the introduction. What happened?
I simply could not see my errors while in the comfort of my office.
What I need is an excuse. Let's see.....hmmmmm. That's it! The sun was in my eyes! Nah, they'll never buy that. Perhaps they'll believe I have devoted too much time writing and editing and that I am suffering from some form of editor's blindness. That sounds much better, I'm going with that one.
All kidding aside, I really could not see the mistakes but I think there may be a clue to what is actually happening. If I am able to see the errors in the class, then why couldn't I see them beforehand? I think I have a form of writer's laziness. But wait a minute! I have written fifteen thousand words, read the material multiple times and I have already made corrections. Laziness?!!!! That's absurd!
Not so fast. It is a FORM of laziness. It is laziness of the brain and the eyes.
Luckily, I am not the only one to experience this malady. It is actually quite common, but it seems very new to me. This is why writers are encouraged to present their written materials for objective criticism. As for my pride, I think it will recover. We can all use a good dose of humility from time to time. Hopefully, I will learn from this experience. Maybe I should drink a Red Bull before editing. Maybe I should hire a professional editor.
I attended my writer's group last night with a newly written introduction for my proposed book. I thought the introduction would help the reader understand both my purpose and my thought process. Easy stuff, right? Wrong! I simply failed to see the glaring issues until it was too late.
The comments from my group were justifiably critical regarding style, voice and redundancy. While it may come as a surprise to some, writer's must seek unbiased feedback for their work, or risk falling under some hypnotic trance.
Oddly, I realized some of the issues at the last minute. I usually look over my work one last time while the group reads. Holy Cow! I began to see the redundancies. I could actually "hear" the deadpan voice of that teacher on The Wonder Years, except he was blathering on about writing and engineering. No, that was MY voice! I was the one delivering lifeless drivel, not content to say it once, but to repeat it over and over.
I had read the piece several times. I had a marathon day yesterday editing four chapters that I had hoped to submit this week. I even edited the introduction. What happened?
I simply could not see my errors while in the comfort of my office.
What I need is an excuse. Let's see.....hmmmmm. That's it! The sun was in my eyes! Nah, they'll never buy that. Perhaps they'll believe I have devoted too much time writing and editing and that I am suffering from some form of editor's blindness. That sounds much better, I'm going with that one.
All kidding aside, I really could not see the mistakes but I think there may be a clue to what is actually happening. If I am able to see the errors in the class, then why couldn't I see them beforehand? I think I have a form of writer's laziness. But wait a minute! I have written fifteen thousand words, read the material multiple times and I have already made corrections. Laziness?!!!! That's absurd!
Not so fast. It is a FORM of laziness. It is laziness of the brain and the eyes.
Luckily, I am not the only one to experience this malady. It is actually quite common, but it seems very new to me. This is why writers are encouraged to present their written materials for objective criticism. As for my pride, I think it will recover. We can all use a good dose of humility from time to time. Hopefully, I will learn from this experience. Maybe I should drink a Red Bull before editing. Maybe I should hire a professional editor.
Monday, February 7, 2011
Writing builds character
Writing is an unconventional way to learn about any topic, but it can be motivational because a writer must research areas of particular weakness to avoid embarrassment. This is not a new concept. Anyone who has written a term paper should confirm that it works, following any respectable level of diligence.
I recently wrote everything I knew about character development, but found it necessary to verify facts. This learning process is extraordinarily effective as it not only tests my ability to write on the topic but also uncovers some potential misconceptions. It is a process of learning by doing (having the gall to write a book in the first place) and then another process of retracing the steps to evaluate what works and what does not work.
Perhaps more benefit is in the need to expand a topic beyond my own sphere of understanding and/or experience. For example, I must research the topic of character development to present a comprehensive view. It provides an opportunity to fully explore what I know and what I do not know.
My adventure into character development began a few weeks ago when I drafted a new chapter for my book proposal. I went back several times to edit my work, adding necessary transitions but also checking my facts. I am more confident now that most of what I wrote was in good company among far greater practitioners than myself. But, I must also supplement what I know with areas that I do not know to provide a more balanced viewpoint. Again, this is extraordinarily valuable as I discover areas of weakness and then feverishly work to make up for my deficiencies. Now I know the material well enough to pass the test.
I recently wrote everything I knew about character development, but found it necessary to verify facts. This learning process is extraordinarily effective as it not only tests my ability to write on the topic but also uncovers some potential misconceptions. It is a process of learning by doing (having the gall to write a book in the first place) and then another process of retracing the steps to evaluate what works and what does not work.
Perhaps more benefit is in the need to expand a topic beyond my own sphere of understanding and/or experience. For example, I must research the topic of character development to present a comprehensive view. It provides an opportunity to fully explore what I know and what I do not know.
My adventure into character development began a few weeks ago when I drafted a new chapter for my book proposal. I went back several times to edit my work, adding necessary transitions but also checking my facts. I am more confident now that most of what I wrote was in good company among far greater practitioners than myself. But, I must also supplement what I know with areas that I do not know to provide a more balanced viewpoint. Again, this is extraordinarily valuable as I discover areas of weakness and then feverishly work to make up for my deficiencies. Now I know the material well enough to pass the test.
Thursday, January 27, 2011
Draft first pages
The writer's group offered some very good comments on my first chapter last night. Originally, I planned to include a Preface with an overview of the book along with my reasons for writing it. After receiving many requests from the group, I realize an overview should be part of the main body of the book. Besides, a lot of folks skip over the Preface. So, I will attach the draft version of my Introduction to this post.
INTRODUCTION
The process of creating a story and writing a novel can be intimidating. We all have a story to tell, but the development process seems needlessly shrouded in mystery. At least, that was my perspective prior to writing my fiction novel, Box of Dreams.
I have over 20 years experience in engineering, project management and new business development, but I am also a writer. I know, I know, you are probably saying, “Well.... that’s just crazy talk! Engineers don’t write novels!” Not so fast there, Mr. Liberal Arts Major! Kurt Vonnegut studied mechanical engineering at the Carnegie Institute of Technology and the University of Tennessee. He also looked a little bit like Albert Einstein.
Holistic Approach
Writing is not pure art. That is, writing involves a process. On the other hand, writing is certainly not pure science. The process of writing is a combination of art, science and nature. It has a conceptual phase, a development phase and an execution phase, all bound by a particular environment, much like a project in the business world. It involves all of the brain. Having wonderful, creative ideas is simply not enough without a process. Understanding process is simply not enough without creative ideas.
In business or engineering, a successful project begins with a conceptual phase of development in which ideas are allowed to flow freely. It often involves brainstorming, which is a process of tossing ideas around until a viable solution begins to form.
This approach is used frequently in the automobile industry. It is the integration of art and engineering. Furthermore, designers may begin with a particular body style, which is an art form. The body style might determine the space requirements for designing the interior of the car as well as the mechanical aspects. So, the overall design of the car may be confined to limitations of space, due primarily to aesthetics.
Building design often follows a similar process of art and engineering. An architect may begin with an overall building design that is both interesting and pleasing to the eye. The structural engineer must then find a way to design within the overall parameters set by the architect. Keep in mind, if the architect’s design does not consider the principles of physics or market conditions, then the project will likely fail. If the structural engineer does not work within the confines of the architectural design, then beams stick out of windows and the whole thing just gets ugly!
Writing a book is very similar. During the early stages of a story, concepts may be shaped like clay before a writer must commit valuable time to further development. In addition, design and scheduling techniques may be used to develop a compelling story.
I demonstrate my unique process for integrating the craft of writing with engineering and business and apply it directly to writing my novel. It worked for me and it can work for you. I also provide an example by which you might develop your own unique process. After all, it is your thought process that is most important.
About the Book
In this book, I describe the steps used for writing my fiction story, “Box of Dreams”, using very specific examples that follow each stage of manuscript development. Perhaps more importantly, I share a method I developed specifically for developing and writing my story. I also describe the most fundamental elements of writing and share my thoughts on the writing business. Finally, I describe how I developed my unique method and suggest steps for tailoring your own process to your specific needs.
I kept copious notes while writing “Box of Dreams”. My intent was to record the information obtained along with the individual steps for writing my manuscript in case I might want to follow a similar process at some point in the future.
I was fearful of forgetting what I had learned because some of the information was very new to me. Also, I had struggled to find a single source of information that addressed all of my questions concerning the writing process and the business of writing.
After completing my fifth revision, I realized I had collected a respectable amount of information consisting of my methods and my research into the topic of writing. In addition, I realized I had a compelling story and that my process could be used by others.
This application is presented in very plain language, but it is also condensed and arranged into a logical sequence that I believe will help an aspiring writer to better understand the process of writing. It is, in essence, a roadmap through a variety of issues that writers face with a particular method that I developed as a tool to help simplify the process. Stated differently, it is a perspective of an aspiring writer approaching a venerated profession, which has value as a unique point of view.
Organization
This book is organized to reveal the simultaneous development of my process and book in chronological order. I will begin with a little about my writing background. Then, I will provide the initial inspiration for writing “Box of Dreams” which is a short story entitled “The Vase”. From there, I will describe each element used to develop the story while referencing some of my resources. These elements will be introduced separately but will continue development throughout the book. Finally, I will describe the editing process and begin to offer the results of my research on a variety of topics related to the writing business.
INTRODUCTION
The process of creating a story and writing a novel can be intimidating. We all have a story to tell, but the development process seems needlessly shrouded in mystery. At least, that was my perspective prior to writing my fiction novel, Box of Dreams.
I have over 20 years experience in engineering, project management and new business development, but I am also a writer. I know, I know, you are probably saying, “Well.... that’s just crazy talk! Engineers don’t write novels!” Not so fast there, Mr. Liberal Arts Major! Kurt Vonnegut studied mechanical engineering at the Carnegie Institute of Technology and the University of Tennessee. He also looked a little bit like Albert Einstein.
Holistic Approach
Writing is not pure art. That is, writing involves a process. On the other hand, writing is certainly not pure science. The process of writing is a combination of art, science and nature. It has a conceptual phase, a development phase and an execution phase, all bound by a particular environment, much like a project in the business world. It involves all of the brain. Having wonderful, creative ideas is simply not enough without a process. Understanding process is simply not enough without creative ideas.
In business or engineering, a successful project begins with a conceptual phase of development in which ideas are allowed to flow freely. It often involves brainstorming, which is a process of tossing ideas around until a viable solution begins to form.
This approach is used frequently in the automobile industry. It is the integration of art and engineering. Furthermore, designers may begin with a particular body style, which is an art form. The body style might determine the space requirements for designing the interior of the car as well as the mechanical aspects. So, the overall design of the car may be confined to limitations of space, due primarily to aesthetics.
Building design often follows a similar process of art and engineering. An architect may begin with an overall building design that is both interesting and pleasing to the eye. The structural engineer must then find a way to design within the overall parameters set by the architect. Keep in mind, if the architect’s design does not consider the principles of physics or market conditions, then the project will likely fail. If the structural engineer does not work within the confines of the architectural design, then beams stick out of windows and the whole thing just gets ugly!
Writing a book is very similar. During the early stages of a story, concepts may be shaped like clay before a writer must commit valuable time to further development. In addition, design and scheduling techniques may be used to develop a compelling story.
I demonstrate my unique process for integrating the craft of writing with engineering and business and apply it directly to writing my novel. It worked for me and it can work for you. I also provide an example by which you might develop your own unique process. After all, it is your thought process that is most important.
About the Book
In this book, I describe the steps used for writing my fiction story, “Box of Dreams”, using very specific examples that follow each stage of manuscript development. Perhaps more importantly, I share a method I developed specifically for developing and writing my story. I also describe the most fundamental elements of writing and share my thoughts on the writing business. Finally, I describe how I developed my unique method and suggest steps for tailoring your own process to your specific needs.
I kept copious notes while writing “Box of Dreams”. My intent was to record the information obtained along with the individual steps for writing my manuscript in case I might want to follow a similar process at some point in the future.
I was fearful of forgetting what I had learned because some of the information was very new to me. Also, I had struggled to find a single source of information that addressed all of my questions concerning the writing process and the business of writing.
After completing my fifth revision, I realized I had collected a respectable amount of information consisting of my methods and my research into the topic of writing. In addition, I realized I had a compelling story and that my process could be used by others.
This application is presented in very plain language, but it is also condensed and arranged into a logical sequence that I believe will help an aspiring writer to better understand the process of writing. It is, in essence, a roadmap through a variety of issues that writers face with a particular method that I developed as a tool to help simplify the process. Stated differently, it is a perspective of an aspiring writer approaching a venerated profession, which has value as a unique point of view.
Organization
This book is organized to reveal the simultaneous development of my process and book in chronological order. I will begin with a little about my writing background. Then, I will provide the initial inspiration for writing “Box of Dreams” which is a short story entitled “The Vase”. From there, I will describe each element used to develop the story while referencing some of my resources. These elements will be introduced separately but will continue development throughout the book. Finally, I will describe the editing process and begin to offer the results of my research on a variety of topics related to the writing business.
Wednesday, January 26, 2011
To do lists and productivity
Yesterday was a very productive day. I wrote a new draft chapter about developing a premise for a long story. I also rewrote my original short story, "The Vase", which was the inspiration for writing the longer story. I've changed it to present tense and improved the language from the original, which was really a draft as I had forgotten to go back and edit it. I reposted it on this blog. Hey, I'm not complaining. I like having a lot of writing on my to-do list. As for my non-writing to-do list, I actually knocked a few items off yesterday as well. I repaired some trim molding on a kitchen cabinet and finished the repaired sheetrock where a handrail pushed through the wall over the holidays. Actually, I stumbled while carrying Rufus, our new Shih Tzu puppy, up the stairs. Rufus is completely traumatized by the incident and refuses to go up or down the stairs now. Add carrying the dog up and down the stairs to my list.
This morning I woke up around 3:30 a.m. and had a few thoughts about my first chapter as well as a new draft chapter. If the mood strikes, I try to take advantage of it. Besides, I went to bed early last night, so I feel rested. It is now 6:45 and I have a revised first chapter along with a new chapter on nodes. In all, I have six draft chapters and a Preface written.
When the publisher asked for a few more sample chapters, it was not immediately clear to me that I needed to draft most of the book before submitting the additional chapters. But, now it seems like a good idea. Why? I think it makes sense to get a draft of most of the chapters to avoid redundancy and to improve the overall flow of the work. The notes I kept for the fiction work is detailed in places but my outline for the non-fiction is general. I suppose I could go back and attempt a more detailed outline, but it is sometimes fun to just sit down and write what I want to say. I can always make revisions, but the flow is what I am after. I want the non-fiction book to be readable and maybe a little bit entertaining. This was the method used for the initial two chapters that were included in the book proposal, so I would like to maintain the same feel if possible. Stated differently, I don't want it to read as a data dump of facts. I would much rather put it into a conversational context.
I also had some ideas about retitling the book as well as a few of the chapters. I'm thinking "Write of Way" as a potential title with chapters with names like "Writes of Passage". I'll kick it around. Ultimately, it matters little what I think. I am open to suggestions from the publishing folks. Gotta go wake up David, carry the puppy down the stairs, make coffee, etc.
This morning I woke up around 3:30 a.m. and had a few thoughts about my first chapter as well as a new draft chapter. If the mood strikes, I try to take advantage of it. Besides, I went to bed early last night, so I feel rested. It is now 6:45 and I have a revised first chapter along with a new chapter on nodes. In all, I have six draft chapters and a Preface written.
When the publisher asked for a few more sample chapters, it was not immediately clear to me that I needed to draft most of the book before submitting the additional chapters. But, now it seems like a good idea. Why? I think it makes sense to get a draft of most of the chapters to avoid redundancy and to improve the overall flow of the work. The notes I kept for the fiction work is detailed in places but my outline for the non-fiction is general. I suppose I could go back and attempt a more detailed outline, but it is sometimes fun to just sit down and write what I want to say. I can always make revisions, but the flow is what I am after. I want the non-fiction book to be readable and maybe a little bit entertaining. This was the method used for the initial two chapters that were included in the book proposal, so I would like to maintain the same feel if possible. Stated differently, I don't want it to read as a data dump of facts. I would much rather put it into a conversational context.
I also had some ideas about retitling the book as well as a few of the chapters. I'm thinking "Write of Way" as a potential title with chapters with names like "Writes of Passage". I'll kick it around. Ultimately, it matters little what I think. I am open to suggestions from the publishing folks. Gotta go wake up David, carry the puppy down the stairs, make coffee, etc.
Monday, January 24, 2011
A busy weekend of writing and thinking and writing
I had a fairly productive weekend while David was at camp. I wrote a Preface and two draft chapters for my non-fiction project. But, I also continued to learn about the process.
After receiving word from Sourcebooks, I felt a sense of urgency to begin work. Writing takes time. Yes, I can produce something right away, but it pays to give myself time to ensure that I send high quality work.
Incidentally, going back and looking at a book proposal can be a little intimidating. I was uneasy until I had a chance to get my head around the concept once again. Luckily, I outlined the proposed chapters in my notes which were kept in a file. After opening the file, I quickly followed my line of thinking and was able to begin work immediately. If I decide to write another book proposal in the future, I think I'll use the same system for recording information which saved me a considerable amount of time. After spending a few days, I know I will be able to deliver what I had originally proposed.
I know that my draft chapters are only the beginning. I must go back and edit my work, but I must also give myself a little time to ensure that I have written to the best of my ability. Do I submit Revision One right away? No, I think it pays to ask for other opinions. By the way, my non-fiction book actually addresses this same point. I will take my first revisions (one chapter at a time) to my writer's group and ask for their comments. Do I want them to pat me on the back and tell me what a wonderful writer I am? Well, that would be nice. BUT, that is not the intent. The intent is to flush out potential issues.
I also address the use of professional editors in my non-fiction book. Should I go to a professional editor? I think it depends on my confidence level once I have revised my work a second or maybe a third time.
There was another benefit to beginning this process right away. I actually had a few additional ideas while in the shower this morning. While it may not be the same for other writers, I like to allow a little "breathing" room while writing. That is, I like to give myself time to organize my thoughts, which invariably results in more thoughts. Stated differently, putting down my initial thoughts in the form of a draft helps me to further refine my ideas. While thinking about my chapter on premise, I recalled an important event as I originally outlined my fiction manuscript, Box of Dreams (my non-fiction proposal is about the process I used to write the fiction manuscript). I had already begun writing the non-fiction chapter on premise, but now I will go back and add my thoughts, which I believe will result in a more compelling description of my process.
As a side note, I also had a little time to think about how the news from Friday might impact my blog. This blog will continue to follow the development of "Box of Dreams" but will now also follow the development of "Writing Between the Nodes". I think it might be fun to post the steps along the way. In fact, this blog may actually become an integral part of the non-fiction work.
By the way, I hope folks will consider following this blog. By following, I mean click on the follow button at the top right corner. I also welcome comments.
Cheers,
Del
After receiving word from Sourcebooks, I felt a sense of urgency to begin work. Writing takes time. Yes, I can produce something right away, but it pays to give myself time to ensure that I send high quality work.
Incidentally, going back and looking at a book proposal can be a little intimidating. I was uneasy until I had a chance to get my head around the concept once again. Luckily, I outlined the proposed chapters in my notes which were kept in a file. After opening the file, I quickly followed my line of thinking and was able to begin work immediately. If I decide to write another book proposal in the future, I think I'll use the same system for recording information which saved me a considerable amount of time. After spending a few days, I know I will be able to deliver what I had originally proposed.
I know that my draft chapters are only the beginning. I must go back and edit my work, but I must also give myself a little time to ensure that I have written to the best of my ability. Do I submit Revision One right away? No, I think it pays to ask for other opinions. By the way, my non-fiction book actually addresses this same point. I will take my first revisions (one chapter at a time) to my writer's group and ask for their comments. Do I want them to pat me on the back and tell me what a wonderful writer I am? Well, that would be nice. BUT, that is not the intent. The intent is to flush out potential issues.
I also address the use of professional editors in my non-fiction book. Should I go to a professional editor? I think it depends on my confidence level once I have revised my work a second or maybe a third time.
There was another benefit to beginning this process right away. I actually had a few additional ideas while in the shower this morning. While it may not be the same for other writers, I like to allow a little "breathing" room while writing. That is, I like to give myself time to organize my thoughts, which invariably results in more thoughts. Stated differently, putting down my initial thoughts in the form of a draft helps me to further refine my ideas. While thinking about my chapter on premise, I recalled an important event as I originally outlined my fiction manuscript, Box of Dreams (my non-fiction proposal is about the process I used to write the fiction manuscript). I had already begun writing the non-fiction chapter on premise, but now I will go back and add my thoughts, which I believe will result in a more compelling description of my process.
As a side note, I also had a little time to think about how the news from Friday might impact my blog. This blog will continue to follow the development of "Box of Dreams" but will now also follow the development of "Writing Between the Nodes". I think it might be fun to post the steps along the way. In fact, this blog may actually become an integral part of the non-fiction work.
By the way, I hope folks will consider following this blog. By following, I mean click on the follow button at the top right corner. I also welcome comments.
Cheers,
Del
Saturday, January 22, 2011
Milestone event
I received a note yesterday from the nice folks at Sourcebooks. I am very encouraged as they are looking for two additional chapters to accompany my previously submitted non-fiction proposal.
Wait a minute! Didn’t I mention the non-fiction proposal? I guess not. I submitted a non-fiction proposal to Sourcebooks as a companion book to my fiction book. The non-fiction book is tentatively entitled “Writing Between the Nodes” which is a method I developed while writing “Box of Dreams”. It is also a roadmap intended to help aspiring writers through the daunting task of writing a book. My intent is too provide an up-to-date helpful guide in very plain language, while citing references from my own research.
As for my earlier comments regarding my love for writing fiction, that still remains. But, it IS a proposed book ABOUT writing.
Ok, so I should offer a little explanation about book proposals. A book proposal is a general outline for a book idea that writers (mostly non-fiction) may submit to a publisher. In the case of Sourcebooks, they accept unagented book proposals for non-fiction. They do not usually accept unagented submissions for fiction (except in the romance genre). So, how do I know this? I looked at their website Sourcebooks.com.
Which brings me to my unagented submission for my fiction manuscript, “Box of Dreams”. Sourcebooks ran a promotion during the Summer for aspiring writers to purchase a book called "Publish This Book" by Stephen Markley . It is an interesting concept book written as a memoir but it also provides insights into the publishing business. I recommend it. Anyway, with the proof of purchase for the book, the purchaser could submit 5000 words from a manuscript for review. I bought the book and submitted 5000 words from my fiction manuscript and eventually received some positive comments back from Sourcebooks encouraging me to make a few revisions and send the whole manuscript.
The note I received yesterday offered more encouraging words for my manuscript. However, like the proposal, it is far from the point of acceptance. Furthermore, even with revisions, it may not fit into their targeted markets. I must revise the manuscript again. I will provide some details of my revisions in future postings. But for now, I am very pleased to have an opportunity to resubmit my manuscript and will likely turn to a professional editor for advice.
In short, there is much work to be done.
Wait a minute! Didn’t I mention the non-fiction proposal? I guess not. I submitted a non-fiction proposal to Sourcebooks as a companion book to my fiction book. The non-fiction book is tentatively entitled “Writing Between the Nodes” which is a method I developed while writing “Box of Dreams”. It is also a roadmap intended to help aspiring writers through the daunting task of writing a book. My intent is too provide an up-to-date helpful guide in very plain language, while citing references from my own research.
As for my earlier comments regarding my love for writing fiction, that still remains. But, it IS a proposed book ABOUT writing.
Ok, so I should offer a little explanation about book proposals. A book proposal is a general outline for a book idea that writers (mostly non-fiction) may submit to a publisher. In the case of Sourcebooks, they accept unagented book proposals for non-fiction. They do not usually accept unagented submissions for fiction (except in the romance genre). So, how do I know this? I looked at their website Sourcebooks.com.
Which brings me to my unagented submission for my fiction manuscript, “Box of Dreams”. Sourcebooks ran a promotion during the Summer for aspiring writers to purchase a book called "Publish This Book" by Stephen Markley . It is an interesting concept book written as a memoir but it also provides insights into the publishing business. I recommend it. Anyway, with the proof of purchase for the book, the purchaser could submit 5000 words from a manuscript for review. I bought the book and submitted 5000 words from my fiction manuscript and eventually received some positive comments back from Sourcebooks encouraging me to make a few revisions and send the whole manuscript.
The note I received yesterday offered more encouraging words for my manuscript. However, like the proposal, it is far from the point of acceptance. Furthermore, even with revisions, it may not fit into their targeted markets. I must revise the manuscript again. I will provide some details of my revisions in future postings. But for now, I am very pleased to have an opportunity to resubmit my manuscript and will likely turn to a professional editor for advice.
In short, there is much work to be done.
Saturday, January 15, 2011
From short story to long story and more
My short story, The Vase, was part of an actual gift exchange in 2009. I did have an old mahogany vase with matching lid from Jamaica. I put dry cement into a plastic bag and sealed it into the vase and wrapped it. I put the story and manifest sheet into an envelope which accompanied the vase. So, the story was actually ABOUT the actual event that we planned to attend. It was a big hit. In fact, we attended this year's party and the vase was re-gifted.
I invented a few characters and began writing character bio's soon after the party in 2009. After about two months, I had an outline and was ready to begin writing. The result of my planning seem to pay off as I was quite surprised to write an additional 65,000 words in a little less than two weeks.
Of course, I spent a lot of time editing and now the manuscript is at revision five.
Currently, I have submitted the manuscript to Sourcebooks in Naperville. It has been fourteen weeks, but I know that it takes a while for a publishing company to review a fiction manuscript, so I am working on my plans for additional work in the meantime.
The first order of business is to prepare a solid query letter that I will send to a very select few agents. I have a list of possible agents, but the process is very long as agents also require a long time for reviewing manuscripts. I think I have a good start, but feel that I must wait for a response from Sourcebooks before I send a query to an agent.
This business of writing is not easy for an old guy like me from a different line of work. It requires a lot of patience and also a great deal of humility. Everything I've read indicates that pushing ahead before doing your homework can have very bad results. For instance, sending out manuscripts before they are ready, approaching the wrong agents, and attempting to shortcut the painstaking process of accessing professionals can all damage a writer's reputation very quickly. These folks have seen it all, and they have a tendency to appreciate a writer's due diligence.
So, it also pays to have a plan for maintaining positive momentum while waiting for a response from agents and independent publishers.
My plan is to educate myself on the business while continuing to produce creative collateral. It is a convoluted business and some of the information is contradictory, but it pays to research before making a fatal mistake that could have been the best possible opportunity for your work. Stated differently, rushing in can result in a burned bridge to your best possible resource if you are not careful. It is better to understand the landscape before moving ahead in this case, I think.
The marketing aspects of self promotion are daunting. This also requires a great deal of research and patience. I recently attended a bookstore event in which David Sterry and Arielle Eckstut, co-authors of The Essential Guide to Getting Your Book Published compared marketing collateral to a dowry. That is, today you should present yourself along with your marketing collateral as a demonstration of your commitment and ability. I have a website, but I am writing this very blog as an attempt to expand. Videos on YouTube, articles and guest blogs can also help a writer to build a following OVER TIME. It does not happen overnight!
Finally, I continue to write. I write on several blogs with some regularity, but I still have a backlog of short story ideas that I continue to produce between large projects. In fact, I wrote a short story this morning along with several relatively long blogs on our writer's group site. Yesterday, I worked on a new set of character bio's and the beginning of an outline for a possible prequel to my existing manuscript, Box of Dreams. It is a more in depth character study of the autistic son of my main characters, Art and Karen. I am considering a separate blog that will follow my writing process as I create this story. The point is, I remain busy with a variety of projects, both business related and creative as I wait for an answer from Sourcebooks.
I invented a few characters and began writing character bio's soon after the party in 2009. After about two months, I had an outline and was ready to begin writing. The result of my planning seem to pay off as I was quite surprised to write an additional 65,000 words in a little less than two weeks.
Of course, I spent a lot of time editing and now the manuscript is at revision five.
Currently, I have submitted the manuscript to Sourcebooks in Naperville. It has been fourteen weeks, but I know that it takes a while for a publishing company to review a fiction manuscript, so I am working on my plans for additional work in the meantime.
The first order of business is to prepare a solid query letter that I will send to a very select few agents. I have a list of possible agents, but the process is very long as agents also require a long time for reviewing manuscripts. I think I have a good start, but feel that I must wait for a response from Sourcebooks before I send a query to an agent.
This business of writing is not easy for an old guy like me from a different line of work. It requires a lot of patience and also a great deal of humility. Everything I've read indicates that pushing ahead before doing your homework can have very bad results. For instance, sending out manuscripts before they are ready, approaching the wrong agents, and attempting to shortcut the painstaking process of accessing professionals can all damage a writer's reputation very quickly. These folks have seen it all, and they have a tendency to appreciate a writer's due diligence.
So, it also pays to have a plan for maintaining positive momentum while waiting for a response from agents and independent publishers.
My plan is to educate myself on the business while continuing to produce creative collateral. It is a convoluted business and some of the information is contradictory, but it pays to research before making a fatal mistake that could have been the best possible opportunity for your work. Stated differently, rushing in can result in a burned bridge to your best possible resource if you are not careful. It is better to understand the landscape before moving ahead in this case, I think.
The marketing aspects of self promotion are daunting. This also requires a great deal of research and patience. I recently attended a bookstore event in which David Sterry and Arielle Eckstut, co-authors of The Essential Guide to Getting Your Book Published compared marketing collateral to a dowry. That is, today you should present yourself along with your marketing collateral as a demonstration of your commitment and ability. I have a website, but I am writing this very blog as an attempt to expand. Videos on YouTube, articles and guest blogs can also help a writer to build a following OVER TIME. It does not happen overnight!
Finally, I continue to write. I write on several blogs with some regularity, but I still have a backlog of short story ideas that I continue to produce between large projects. In fact, I wrote a short story this morning along with several relatively long blogs on our writer's group site. Yesterday, I worked on a new set of character bio's and the beginning of an outline for a possible prequel to my existing manuscript, Box of Dreams. It is a more in depth character study of the autistic son of my main characters, Art and Karen. I am considering a separate blog that will follow my writing process as I create this story. The point is, I remain busy with a variety of projects, both business related and creative as I wait for an answer from Sourcebooks.
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